000			01727aam a2200349 a 4500
999			_c36217 _d36217
001			019532937
003			UkOxU
005			20180927100918.0
008			120802s2013 nyu b 001 0 eng
010			_a2012030879
015			_aGBB2A4406 _2bnb
016	7		_a016190745 _2Uk
020			_a9780415521444 (hbk.) : _c£80.00
020			_a9780203069103
035			_a(Uk)016190745
040			_aStDuBDS _beng _cStDuBDS _dUk
042			_aukblsr
050	0	0	_aPN1996 _b.N25 2013
082	0	0	_a808.23 _223
100	1		_aNannicelli, Ted.
245	1	2	_aA philosophy of the screenplay / _cby Ted Nannicelli.
260			_aNew York : _bRoutledge, _c2013.
300			_axiii, 270 p. ; _c24 cm.
490	0		_aRoutledge studies in contemporary philosophy ; _v49
500			_aFormerly CIP. _5Uk
504			_aIncludes bibliographical references (p. [251]-262) and index.
505	0		_aDefinition. What is a screenplay? An intentional-historical formalist definition -- Defending the definition : intentionality, history, and artifact concepts -- Art status. The historical narrative approach to identifying art : exegesis and defense -- From playwriting to screenwriting : the historical narrative -- Ontology. Objections and ontology I : is the screenplay an autonomous work of art? -- Instructions and artworks : musical scores, theatrical scripts, architectural plans, and screenplays -- Objections and ontology II : is the screenplay literature? -- Towards an ontology of the screenplay -- Appreciation. The appreciation of the screenplay as literature.
650		0	_aMotion picture authorship.
650		0	_aMotion picture plays _xHistory and criticism.
942			_2ddc _cE-BOOK