000 | 01727aam a2200349 a 4500 | ||
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999 |
_c36217 _d36217 |
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001 | 019532937 | ||
003 | UkOxU | ||
005 | 20180927100918.0 | ||
008 | 120802s2013 nyu b 001 0 eng | ||
010 | _a2012030879 | ||
015 |
_aGBB2A4406 _2bnb |
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016 | 7 |
_a016190745 _2Uk |
|
020 |
_a9780415521444 (hbk.) : _c£80.00 |
||
020 | _a9780203069103 | ||
035 | _a(Uk)016190745 | ||
040 |
_aStDuBDS _beng _cStDuBDS _dUk |
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042 | _aukblsr | ||
050 | 0 | 0 |
_aPN1996 _b.N25 2013 |
082 | 0 | 0 |
_a808.23 _223 |
100 | 1 | _aNannicelli, Ted. | |
245 | 1 | 2 |
_aA philosophy of the screenplay / _cby Ted Nannicelli. |
260 |
_aNew York : _bRoutledge, _c2013. |
||
300 |
_axiii, 270 p. ; _c24 cm. |
||
490 | 0 |
_aRoutledge studies in contemporary philosophy ; _v49 |
|
500 |
_aFormerly CIP. _5Uk |
||
504 | _aIncludes bibliographical references (p. [251]-262) and index. | ||
505 | 0 | _aDefinition. What is a screenplay? An intentional-historical formalist definition -- Defending the definition : intentionality, history, and artifact concepts -- Art status. The historical narrative approach to identifying art : exegesis and defense -- From playwriting to screenwriting : the historical narrative -- Ontology. Objections and ontology I : is the screenplay an autonomous work of art? -- Instructions and artworks : musical scores, theatrical scripts, architectural plans, and screenplays -- Objections and ontology II : is the screenplay literature? -- Towards an ontology of the screenplay -- Appreciation. The appreciation of the screenplay as literature. | |
650 | 0 | _aMotion picture authorship. | |
650 | 0 |
_aMotion picture plays _xHistory and criticism. |
|
942 |
_2ddc _cE-BOOK |