| 000 | 02446cam a22002774a 4500 | ||
|---|---|---|---|
| 999 |
_c29780 _d29780 |
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| 001 | 000785648 | ||
| 003 | OSt | ||
| 005 | 20170727104701.0 | ||
| 008 | 090428s2010 enka b 001 0 eng | ||
| 010 | _a 2009017751 | ||
| 020 | _a0754667987 | ||
| 020 | _a075469738X (ebook) | ||
| 020 | _a9780754667988 | ||
| 020 | _a9780754697381 (ebook) | ||
| 035 |
_a(OCoLC)320622125 _z(OCoLC)449894114 |
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| 040 |
_aDLC _beng _cDLC _dYDXCP _dBWKUK _dBWK _dBWX _dCUD _dUKM _dBTCTA _dERASA _dCDX |
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| 082 | 0 | 4 |
_a246.53 _223 |
| 100 | 1 |
_aAntonova, Clemena, _d1970- |
|
| 245 | 1 | 0 |
_aSpace, time, and presence in the icon : _bseeing the world with the eyes of God / _cClemena Antonova ; with a preface by Martin Kemp. |
| 260 |
_aFarnham, Surrey, England : _bAshgate, _cc2010. |
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| 300 |
_axii, 193 p. : _bill. ; _c24 cm. |
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| 490 | 0 | _aAshgate studies in theology, imagination and the arts | |
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | _aThe role of time in pictorial art -- The role of time in the visual arts : seeing a picture in the twinkling of an eye -- The doctrine of the purity of art -- The problem of pictorial time in the icon : Florensky and remembering things that happened the week after next -- The problem of time in the pictorial arts Bakhtin's chronotope -- On reverse perspective : a critical reading -- Implications of the term reverse perspective : reverse of what? -- First stage : Florensky -- Second stage : Zhegin -- Third stage : Boris Uspensky -- An alternative view : Karl Doehlemann -- Registering presence in the icon -- The cult of images and Eastern Orthodox identity -- The western position : a critical reappraisal -- Icon and relic -- Real presence in the image -- Classical antique sources -- Christian sources : Byzantine theology of the image -- A modern view : the icon as symbol in Florensky's writings -- Seeing the world with the eyes of God : an alternative explanation of reverse perspective -- A new definition of reverse perspective as a prerequisite for the present hypothesis -- The cubist background -- The theosophical background -- Classical Greek sources on divine eternity -- Christian sources on divine eternity -- Theology through liturgy -- Theology through the arts -- The present hypothesis in context -- Leibniz and the way God sees things -- Schopenhauer and art as a repetition of eternity -- Worringer's eternalization of the object. | |
| 650 | 0 | _aSpace and time in art. | |
| 650 | 0 | _aPerspective. | |
| 650 | 0 | _aIcons. | |
| 942 |
_2ddc _cE-BOOK |
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