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Job the Unfinalizable [electronic resource] : A Bakhtinian Reading of Job 1-11.

By: Material type: TextTextSeries: Biblical Interpretation SeriesPublication details: Leiden : BRILL, 2013.Description: 1 online resource (253 p.)ISBN:
  • 9789004258112
  • 9789004258105
Uniform titles:
  • EBL e-books.
Subject(s): Genre/Form: DDC classification:
  • 223.106
Online resources:
Contents:
Contents; Acknowledgments; Chapter One Introduction; Bakhtin's Dialogism; Chronotope; The Suitability of Bakhtin's Dialogism for the Reading of Job; Newsom's/Stordalen's Dialogic Readings of Job and My Dialogic Reading of Job; The Establishment of the Text; The Scope of the Text; Outline of the Book; Chapter Two Job in the Chronotope of the Prologue; The First Scene (Earthly Realm: 1:1-5); Concluding Remark; The Second Scene (Heavenly Realm: 1:6-12); Concluding Remarks; The Third Scene (Earthly Realm: 1:13-22); Concluding Remark; The Fourth Scene (Heavenly Realm: 2:1-7a); Concluding Remark.
The Fifth Scene (Earthly Realm: 2:7b-10)Job's Wife's Voice; Concluding Remark; The Sixth Scene (Earthly Realm: 2:11-13); Concluding Remark; Conclusion; Chapter Three Job's Speeches in His New Chronotope; Job's Language in the New/Estranged Chronotope of Chapter 3; Spatial Language in the Chapter; Temporal Language in the Chapter; Chronotope in Chapter 3; Job's Speeches in the Chronotope of Chapter 3; Job's Language in an Estranged Space in Chapters 6, 7, 9 and 10; Spatial Language in These Chapters; Temporal Language in These Chapters; Chronotope in Chapters 6, 7, 9 and 10.
Job's Speeches in the ChronotopeJob's Language and His Body; Job's Language and His Relationship with God; Job's Language and His Relationship to His Friends; The Hopeless Place; Conclusion; Chapter Four The Voices of the Three Friends; Eliphaz' Voice; Eliphaz and Job's Identity; Narrativity in Eliphaz' Voice; Job's Fate; Bildad's Voice; Job's Words; Job's Piety; Job's Fate; Job's Knowledge; Zophar's Voice; Job's Words; Job's Knowledge; Job's Fate; Conclusion; Chapter Five The Dialogic Relationship between the Voices in the Prologue and Those in the Dialogue Section.
Job's Perfect Piety and Possessions in Job 1:1-3Dust (������); Job's Voice in the Prologue and in the Dialogue; Sin (������); The Womb (������); Give (������); Return (��������); God's Voice and Hassatan's Voice in Job's Voice in the Dialogue; God's Voice; Heart (����); Without Reason (������); Hassatan's Voice; Hedge in (�����������); Blessings (����������) and Knees (����������); Job's Three Friends' Voices; The Narrator's Voice and Eliphaz' Voice; Job's Integrity; Dust (������); Job's Voice and Eliphaz' Voice; 1:21; God's and Hassatan's Voices and Eliphaz' Voice; Voices in the Prologue and Bildad's Voice.
Voices in the Prologue and Zophar's VoiceConclusion; Chapter Six Conclusion: Unfinalizing Job; Conclusion; Bibliography; Index of Names; Index of Scriptures; Index of Subjects.
Summary: In reading Job 1-11, Bakhtin's dialogism and chronotope define each different voice as a unique and equally weighted voice and reveal its dialogical interaction with other voices to produce better questions about Job rather than answers.
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E-Book E-Book Reformational Study Centre General library 223.106 (Browse shelf(Opens below)) Available

Description based upon print version of record.

Contents; Acknowledgments; Chapter One Introduction; Bakhtin's Dialogism; Chronotope; The Suitability of Bakhtin's Dialogism for the Reading of Job; Newsom's/Stordalen's Dialogic Readings of Job and My Dialogic Reading of Job; The Establishment of the Text; The Scope of the Text; Outline of the Book; Chapter Two Job in the Chronotope of the Prologue; The First Scene (Earthly Realm: 1:1-5); Concluding Remark; The Second Scene (Heavenly Realm: 1:6-12); Concluding Remarks; The Third Scene (Earthly Realm: 1:13-22); Concluding Remark; The Fourth Scene (Heavenly Realm: 2:1-7a); Concluding Remark.

The Fifth Scene (Earthly Realm: 2:7b-10)Job's Wife's Voice; Concluding Remark; The Sixth Scene (Earthly Realm: 2:11-13); Concluding Remark; Conclusion; Chapter Three Job's Speeches in His New Chronotope; Job's Language in the New/Estranged Chronotope of Chapter 3; Spatial Language in the Chapter; Temporal Language in the Chapter; Chronotope in Chapter 3; Job's Speeches in the Chronotope of Chapter 3; Job's Language in an Estranged Space in Chapters 6, 7, 9 and 10; Spatial Language in These Chapters; Temporal Language in These Chapters; Chronotope in Chapters 6, 7, 9 and 10.

Job's Speeches in the ChronotopeJob's Language and His Body; Job's Language and His Relationship with God; Job's Language and His Relationship to His Friends; The Hopeless Place; Conclusion; Chapter Four The Voices of the Three Friends; Eliphaz' Voice; Eliphaz and Job's Identity; Narrativity in Eliphaz' Voice; Job's Fate; Bildad's Voice; Job's Words; Job's Piety; Job's Fate; Job's Knowledge; Zophar's Voice; Job's Words; Job's Knowledge; Job's Fate; Conclusion; Chapter Five The Dialogic Relationship between the Voices in the Prologue and Those in the Dialogue Section.

Job's Perfect Piety and Possessions in Job 1:1-3Dust (������); Job's Voice in the Prologue and in the Dialogue; Sin (������); The Womb (������); Give (������); Return (��������); God's Voice and Hassatan's Voice in Job's Voice in the Dialogue; God's Voice; Heart (����); Without Reason (������); Hassatan's Voice; Hedge in (�����������); Blessings (����������) and Knees (����������); Job's Three Friends' Voices; The Narrator's Voice and Eliphaz' Voice; Job's Integrity; Dust (������); Job's Voice and Eliphaz' Voice; 1:21; God's and Hassatan's Voices and Eliphaz' Voice; Voices in the Prologue and Bildad's Voice.

Voices in the Prologue and Zophar's VoiceConclusion; Chapter Six Conclusion: Unfinalizing Job; Conclusion; Bibliography; Index of Names; Index of Scriptures; Index of Subjects.

In reading Job 1-11, Bakhtin's dialogism and chronotope define each different voice as a unique and equally weighted voice and reveal its dialogical interaction with other voices to produce better questions about Job rather than answers.

Available electronically via the Internet.