Description based upon print version of record.

Contents; List of Figures; Acknowledgements; List of Contributors; Introduction; Part One Visualizations of Augustine; Art and Authority: Three Paradigmatic Visualizations of Augustine of Hippo; The Reception of Augustine in Orthodox Iconography; Reformations: The Painted Interiors of Augustine and Jerome; Part Two Dramatizing Augustine on Stage; Augustine and Drama; Augustine on Stage in the Southern Low Countries in the Early Modern Period; Part Three Augustine in Confessionalized Contexts of Spirituality and Devotion; Images and Themes Related to Augustine in Late Medieval Sermons.

Pseudo-Augustine and Religious Controversy in Early Modern EnglandUnder the Cover of Augustine: Augustinian Spirituality and Catholic Emblems in the Seventeenth-Century Dutch Republic; Orating from the Pulpit: The Dutch Augustine and the Reformed Godly until 1700; Part Four Musical Variations on Augustine; The Renaissance Reception of Augustine's Writings on Music; A Musical Relecture of Augustine's Conversion: La Conversione di Sant' Agostino by Maria Antonia Walpurgis and Johann Adolf Hasse; St. Augustine in Twentieth-Century Music; Part Five Augustine Beyond Himself.

The Antipodeans and Science-Faith Relations: The Rise, Fall and Vindication of AugustineBeyond the Books of Augustine into Modern Psychotherapy; Bibliography; Index Nominum et Rerum.

This interdisciplinary collection of essays investigates the processes by which Augustine of Hippo's writings were re-invented in other media, including the visual arts, drama and music. Thereby it highlights the crucial role of Augustine's readers in constructing his universal stature.

Available electronically via the Internet.